I profiled Hopkins (1844-1889), who is one of my favourite poets, ages ago. Although written during the Victorian era, his poems are Romantic in their emphasis on nature and spirituality, and were published (posthumously) during the Modern period. ‘The Windhover’ describes the flight of a falcon as it hovers and then drops, but also captures the spiritual ecstasy inspired by associating this sight with the sigh of Christ returning in majesty. However, the language – Hopkins’ ‘sprung verse’ – and the imagery is so evocative and captivating that the poem seems to transcend any religious framework to touch the hearts of people from many different backgrounds and beliefs.
To Christ our Lord
I caught this morning morning’s minion, kingdom
of daylight’s dauphin, dapple-dawn-drawn Falcon, in
Of the rolling level underneath him steady air, and striding
High there, how he rung upon the rein of a wimpling wing
In his ecstasy! then off, off forth on swing,
As a skate’s heel sweeps smooth on a bow-bend: the hurl
Rebuffed the big wind. My heart in hiding
Stirred for a bird, – the achieve of, the mastery of the thing!
Brute beauty and valour and act, oh, air, pride, plume, here
Buckle! AND the fire that breaks from thee then, a billion
Times told lovelier, more dangerous, O my chevalier!
No wonder of it: shèer plòd makes plough down sillion
Shine, and blue-bleak embers, ah my dear,
Fall, gall themselves, and gash gold vermilion.
So closely linked are the names of William (W. S.) Gilbert (1836-1911) and Arthur Sullivan (1842-1900) in the minds of most that I figured there was no point in discussing them separately. But although their professional partnership was incredibly fruitful the two men, who had very different personalities, were never personally close. Continue reading “Composer Profile: Gilbert and Sullivan”→
“God is dead.” The man who penned what is quite possibly the most famous line in the history of philosophy does not appear to have done so lightly, or with glee. This may be because he recognised that without a concept of the divine, humanity is as good as it gets… A brilliant intellectual plagued by ill health he suffered a complete mental collapse at the age of 44, from which he never recovered. Continue reading “Philosopher Profile: Friedrich Nietzsche 1844-1900”→
If Shakespeare’s ‘A Midsummer Night’s Dream’ and 1980s BBC political comedy ‘Yes, Minister’ had a baby, the result might well be something like Gilbert and Sullivan’s ‘Iolanthe’ (Eye-oh-LAN-thee). It’s a comic opera with a plot which is cheerfully ridiculous and punctuated by musical numbers. Continue reading “Local Culture: Gilbert and Sullivan’s ‘Iolanthe’”→