Representing a definite break from the Christian themes of the Gothic period, Sandro Botticelli’s (1445-1510) painting depicts the goddess Venus springing fully formed – and stark naked – from the foam of the sea. She was the Roman goddess of sex, love, and fertility, so Freud would have fun with that one. Continue reading “Paintings You Should Know: Botticelli’s ‘The Birth of Venus’ (c.1486)”
The space above the local information centre acts as an extension of the public art gallery, currently located across the road while earthquake-strengthening work is carried out on the original building, constructed in 1919 (earthquake strengthening is a national obsession at the moment due to the devastating effects of two severe earthquakes in the last six years. The local museum is also closed, and the local opera house reopened last year after it was strengthened. But I digress).
Currently on display is a selection of ceramic work by Maori artists. Pottery and ceramics were introduced to New Zealand by European settlers in the 1800s, and it wasn’t until the 1980s that they really caught on among Maori artists, but as this exhibition shows the results have been marvellous. Continue reading “Local Culture: Whenua Hou: New Maori Ceramics”
Rita Angus (1908-1970) is well-known in New Zealand for her clear, sharp-edged portraits and landscapes, including ‘Cass’, which was voted New Zealand’s favourite painting in a 2006 TV show. Rather than talking about her, I’m just going to show you a few of her paintings. Continue reading “New Zealand Artist: Rita Angus”
Colin McCahon (1919-1987) is one of New Zealand’s most prominent artists. He was one of a group of artists who introduced Modernism into New Zealand, and is perhaps best-known for his large-scale works, often in muted, earthy tones or shades of black, white, and grey, which layered text over a background image.
The last weekend in March and the first weekend in April saw the return of Artists Open Studios, a highlight of the Whanganui artistic calendar during which local artists open their studios to members of the public. This year almost eighty studios and over a hundred artists participated, so I was rather glad when the Significant Other (who hadn’t ‘done’ AOS before) went through the artists catalogue and highlighted a dozen studios which particularly interested him, as it spared me the agony of trying to decide. I did, however, insist on a visit to the studio of my favourite local artist, Tina Drayton. Continue reading “Local Culture: Artists Open Studios 2017”
Although the term ‘Impressionism’ was already in use to describe a style of painting emerging in France in the latter part of the 1800s it was Monet’s use of the word as an off-the-cuff name for this 1872 work (in French, ‘Impression, soleil levant’) which led to its formal and widespread adoption. Continue reading “Paintings You Should Know: ‘Impression: Sunrise’ by Claude Monet, 1872”
The interesting thing about this painting, beyond anything to do with the composition or the skill of the artist, is the fact that it was, and for some arguably still is, controversial to the point of outright offensiveness. Continue reading “Paintings You Should Know: Caravaggio’s ‘The Death of the Virgin’, C.1602-06”
I’ve been following the Female Artists in History Facebook page for several months now, and wanted to share it here for anyone who might be interested. Curated by two women, Christa Zaat and Carel Ronk, the page presents works, primarily paintings, by women artists along with brief biographies.
And it turns out there are a lot of them. All the well-known names are there: Artemisia Gentileschi, Frida Kahlo, Mary Cassatt, Georgia O’Keefe… but there are also heaps of names that I (and probably you) have never come across before. Continue reading “Recommended Read: Female Artists in History (Facebook page)”