Although the term ‘Impressionism’ was already in use to describe a style of painting emerging in France in the latter part of the 1800s it was Monet’s use of the word as an off-the-cuff name for this 1872 work (in French, ‘Impression, soleil levant’) which led to its formal and widespread adoption. Continue reading “Paintings You Should Know: ‘Impression: Sunrise’ by Claude Monet, 1872”
Although I had gone to the Auckland Art Gallery specifically to see the Lindauer portraits it seemed rather a shame to leave without checking out some of the other exhibitions, so we didn’t. In this post I’ll be recording a few brief impressions of the other exhibitions we saw at the Gallery.
After our experience with modern sculpture at Brick Bay, we decided to largely eschew the modern art exhibitions and focus our attention on primarily on art from before the start of the 20th century. Fortunately, the Auckland Art Gallery is large and has numerous exhibitions to choose from. Continue reading “Summer Holidays #4: Exploring Auckland Art Gallery”
When the classically-trained Bohemian artist Gottfried Lindauer arrived in New Zealand in 1874 it marked the beginning of one of the most significant eras in New Zealand’s artistic history. Lindauer set up shop as a portrait artist in the nascent British colony, producing exquisitely detailed paintings of some of the more prominent colonists, and wedding portraits for middle-class couples. But it wasn’t long before he came to be intrigued by another set of artistic subjects: Maori rangatira (chiefs) and other Maori people of note. Continue reading “Summer Holidays #3: The Portraits of Gottfried Lindauer (1829-1926)”
From the early Christian period to the Rococo, the story of European art is one of evolution: the Gothic art of the thirteenth and fourteenth centuries blossomed into the Renaissance of the fifteenth and sixteenth, which developed into the elaborate Baroque of the seventeenth century, which reached the furthest extent of its development in the Rococo of the early eighteenth. Only at that point did a conscious disconnection from the immediately preceding style occur, first in the opposition of Neoclassicism to the principles of the Rococo, and then in the rebellion of Romanticism against the principles of Neoclassicism.
But as we move into the nineteenth century, something different happens. For the first time, rather than a single, unified artistic school or a pair of opposing schools we encounter the beginnings of a plurality of distinct artistic styles. These styles sprang from different, sometimes conflicting, artistic philosophies, but they coexisted alongside one another, and in doing so arguably laid the groundwork for the endless variation in artistic expression which would be produced by the artists of the twentieth and twenty-first centuries. Continue reading “A Very Short History of Art: The Pre-Raphaelite Brotherhood, Realism, and Impressionism”