Recently a video popped up in my Facebook newsfeed. It was the story of Jamie Livingston, a New York-based filmmaker who, from March 1979 until his death on October 25th 1997, took a polaroid photograph each day. Taken together, these candid photographs chart the mundane and poignant story of a life lived in New York City just before the digital revolution.
The original website is a bit clunky to navigate, and to be honest I haven’t spent much time there, but the video is like a visit to an exhibition of Livingston’s work. He took the ordinary and showed its beauty, and to me that is one of the most wonderful things an artist can do.
Check out the video and let me know what you think.
The space above the local information centre acts as an extension of the public art gallery, currently located across the road while earthquake-strengthening work is carried out on the original building, constructed in 1919 (earthquake strengthening is a national obsession at the moment due to the devastating effects of two severe earthquakes in the last six years. The local museum is also closed, and the local opera house reopened last year after it was strengthened. But I digress).
Currently on display is a selection of ceramic work by Maori artists. Pottery and ceramics were introduced to New Zealand by European settlers in the 1800s, and it wasn’t until the 1980s that they really caught on among Maori artists, but as this exhibition shows the results have been marvellous. Continue reading “Local Culture: Whenua Hou: New Maori Ceramics”→
Rita Angus (1908-1970) is well-known in New Zealand for her clear, sharp-edged portraits and landscapes, including ‘Cass’, which was voted New Zealand’s favourite painting in a 2006 TV show. Rather than talking about her, I’m just going to show you a few of her paintings. Continue reading “New Zealand Artist: Rita Angus”→
Colin McCahon (1919-1987) is one of New Zealand’s most prominent artists. He was one of a group of artists who introduced Modernism into New Zealand, and is perhaps best-known for his large-scale works, often in muted, earthy tones or shades of black, white, and grey, which layered text over a background image.
I’ve been following the Female Artists in History Facebook page for several months now, and wanted to share it here for anyone who might be interested. Curated by two women, Christa Zaat and Carel Ronk, the page presents works, primarily paintings, by women artists along with brief biographies.
Although I had gone to the Auckland Art Gallery specifically to see the Lindauer portraits it seemed rather a shame to leave without checking out some of the other exhibitions, so we didn’t. In this post I’ll be recording a few brief impressions of the other exhibitions we saw at the Gallery.
After our experience with modern sculpture at Brick Bay, we decided to largely eschew the modern art exhibitions and focus our attention on primarily on art from before the start of the 20th century. Fortunately, the Auckland Art Gallery is large and has numerous exhibitions to choose from. Continue reading “Summer Holidays #4: Exploring Auckland Art Gallery”→
I’m pleased to report that I’m safely home from Kaikoura, and diving back into my local art scene.
Back in 2009, the New Zealand media reported that one in five adult New Zealanders was tattooed, with the rate rising to just over one in three for people aged 18 to 30. Tattoo, (or ‘moko’ in te reo Maori) played a significant role in traditional Maori and Polynesian culture, and although it went into decline during the early to mid- twentieth century, the Maori cultural renaissance of the late 20th century brought the art form back into the New Zealand mainstream. In addition to, or possibly coat-tailing on, this change, tattoo has also gained a significant place in contemporary European (‘White’) New Zealand culture. Continue reading “Local Culture: Richard Wootton’s ‘Marking Time: Portraits of the Inked’ at the Sarjeant Gallery”→