The space above the local information centre acts as an extension of the public art gallery, currently located across the road while earthquake-strengthening work is carried out on the original building, constructed in 1919 (earthquake strengthening is a national obsession at the moment due to the devastating effects of two severe earthquakes in the last six years. The local museum is also closed, and the local opera house reopened last year after it was strengthened. But I digress).
Currently on display is a selection of ceramic work by Maori artists. Pottery and ceramics were introduced to New Zealand by European settlers in the 1800s, and it wasn’t until the 1980s that they really caught on among Maori artists, but as this exhibition shows the results have been marvellous. Continue reading “Local Culture: Whenua Hou: New Maori Ceramics”→
The last weekend in March and the first weekend in April saw the return of Artists Open Studios, a highlight of the Whanganui artistic calendar during which local artists open their studios to members of the public. This year almost eighty studios and over a hundred artists participated, so I was rather glad when the Significant Other (who hadn’t ‘done’ AOS before) went through the artists catalogue and highlighted a dozen studios which particularly interested him, as it spared me the agony of trying to decide. I did, however, insist on a visit to the studio of my favourite local artist, Tina Drayton. Continue reading “Local Culture: Artists Open Studios 2017”→
I’ve been following the Female Artists in History Facebook page for several months now, and wanted to share it here for anyone who might be interested. Curated by two women, Christa Zaat and Carel Ronk, the page presents works, primarily paintings, by women artists along with brief biographies.
Something a little different today: follow this link to a recent article by New Zealand’s NewsHub on Ta Moko (facial tattooing), including a brief history of ta moko in New Zealand and a video where Maori people with ta moko discuss the significance of the art in contemporary Maori culture and their own lives.
Originally posted to mark Waitangi Day 2017 (the New Zealand public holiday celebrated annually on February 6th to mark the signing of the Treaty of Waitangi between representatives of Maori tribes and the British crown), it’s definitely well worth checking out.
Brick Bay Winery, which I wrote about in my last post, has a rather unique feature: it is home to an extensive collection of contemporary sculptures laid out along a native bush walk which, for a small fee, visitors can explore. Curious to see more modern sculpture, to which I’ve had a limited exposure, I paid my fee and, along with a friend and his teenaged son, began a two-hour exploration. Continue reading “Summer Holidays #2: Sculpture Trail”→