Representing a definite break from the Christian themes of the Gothic period, Sandro Botticelli’s (1445-1510) painting depicts the goddess Venus springing fully formed – and stark naked – from the foam of the sea. She was the Roman goddess of sex, love, and fertility, so Freud would have fun with that one. Continue reading “Paintings You Should Know: Botticelli’s ‘The Birth of Venus’ (c.1486)”
Rita Angus (1908-1970) is well-known in New Zealand for her clear, sharp-edged portraits and landscapes, including ‘Cass’, which was voted New Zealand’s favourite painting in a 2006 TV show. Rather than talking about her, I’m just going to show you a few of her paintings. Continue reading “New Zealand Artist: Rita Angus”
Colin McCahon (1919-1987) is one of New Zealand’s most prominent artists. He was one of a group of artists who introduced Modernism into New Zealand, and is perhaps best-known for his large-scale works, often in muted, earthy tones or shades of black, white, and grey, which layered text over a background image.
The last weekend in March and the first weekend in April saw the return of Artists Open Studios, a highlight of the Whanganui artistic calendar during which local artists open their studios to members of the public. This year almost eighty studios and over a hundred artists participated, so I was rather glad when the Significant Other (who hadn’t ‘done’ AOS before) went through the artists catalogue and highlighted a dozen studios which particularly interested him, as it spared me the agony of trying to decide. I did, however, insist on a visit to the studio of my favourite local artist, Tina Drayton. Continue reading “Local Culture: Artists Open Studios 2017”
Although the term ‘Impressionism’ was already in use to describe a style of painting emerging in France in the latter part of the 1800s it was Monet’s use of the word as an off-the-cuff name for this 1872 work (in French, ‘Impression, soleil levant’) which led to its formal and widespread adoption. Continue reading “Paintings You Should Know: ‘Impression: Sunrise’ by Claude Monet, 1872”
The interesting thing about this painting, beyond anything to do with the composition or the skill of the artist, is the fact that it was, and for some arguably still is, controversial to the point of outright offensiveness. Continue reading “Paintings You Should Know: Caravaggio’s ‘The Death of the Virgin’, C.1602-06”
When the classically-trained Bohemian artist Gottfried Lindauer arrived in New Zealand in 1874 it marked the beginning of one of the most significant eras in New Zealand’s artistic history. Lindauer set up shop as a portrait artist in the nascent British colony, producing exquisitely detailed paintings of some of the more prominent colonists, and wedding portraits for middle-class couples. But it wasn’t long before he came to be intrigued by another set of artistic subjects: Maori rangatira (chiefs) and other Maori people of note. Continue reading “Summer Holidays #3: The Portraits of Gottfried Lindauer (1829-1926)”
With my nascent interest in the world of philosophy now seemed like the perfect time to write about the Renaissance masterpiece which is The School of Athens. The painting is a fresco, part of a series commissioned for the Apostolic Palace in Vatican City. Regarded as Raphael’s masterpiece, it captures the Renaissance fascination with the philosophy of the Classical (ancient Greek and Roman) world.
Even before the First World War, not everyone in the world of art was cocooned in the golden haze of Impressionism. As early as the 1880s, just a decade after the term ‘Impressionist’ had been coined, another group of artists were producing work which would collectively come to be identified as ‘Post-Impressionist’. Continue reading “A Very Short History of Art: Into Modernity”