Early last year I wrote a two-part series on the evolution of the King James Bible. For over three hundred years, from its publication in 1611 until the mid-twentieth century, the King James Bible, or Authorised Version, was the most widely-read bible among English-speaking Protestants.
In 1895, Irish novelist, essayist, and playwright Oscar Wilde was riding high on the success of his latest play, ‘The Importance of Being Earnest’ and his relationship with young aristocrat Lord Alfred Douglas (Bosie). But the good times were not to last. Douglas’ furious father, the Marquis of Queensberry, left a calling-card at Wilde’s club inscribed ‘for Oscar Wilde, posing somdomite’ [sic]. Continue reading “Poems You Should Know: The Ballad of Reading Gaol, by Oscar Wilde”→
Mid-twentieth century poet James K. Baxter was a complicated man with a certain prophetic bent. A number of his poems, like this one, challenged contemporary social assumptions. In ‘The Maori Jesus’, the Christ is depicted as a somewhat down-and-out member of New Zealand’s indigenous people who pays a heavy price for living outside comfortable White social norms. For me as a Christian, Baxter captures something in this poem which is too easily forgotten in our ‘nice’ White, middle class religion.
It’s getting towards the end of the month, so I thought I’d update you on what I’ve been reading lately. Here’s my current reading list, accompanied by my cat, Angel, who quite likes it when I read because it’s one of the few times I stay still long enough for her to have a really good snooze on my lap.
Ivanhoe, by Sir Walter Scott (1819): One of the first modern adventure novels, Ivanhoe is picturesquely written and set in Merrie Olde England. It’s an ‘historical romance’ in the loosest sense of history and (mainly) chivalric sense of romance. It’s been sitting on my shelf for a while and I finally decided I really should start clearing my extensive backlog. Continue reading “On My Reading List: August 2017”→
I profiled Hopkins (1844-1889), who is one of my favourite poets, ages ago. Although written during the Victorian era, his poems are Romantic in their emphasis on nature and spirituality, and were published (posthumously) during the Modern period. ‘The Windhover’ describes the flight of a falcon as it hovers and then drops, but also captures the spiritual ecstasy inspired by associating this sight with the sigh of Christ returning in majesty. However, the language – Hopkins’ ‘sprung verse’ – and the imagery is so evocative and captivating that the poem seems to transcend any religious framework to touch the hearts of people from many different backgrounds and beliefs.
To Christ our Lord
I caught this morning morning’s minion, kingdom
of daylight’s dauphin, dapple-dawn-drawn Falcon, in
Of the rolling level underneath him steady air, and striding
High there, how he rung upon the rein of a wimpling wing
In his ecstasy! then off, off forth on swing,
As a skate’s heel sweeps smooth on a bow-bend: the hurl
Rebuffed the big wind. My heart in hiding
Stirred for a bird, – the achieve of, the mastery of the thing!
Brute beauty and valour and act, oh, air, pride, plume, here
Buckle! AND the fire that breaks from thee then, a billion
Times told lovelier, more dangerous, O my chevalier!
No wonder of it: shèer plòd makes plough down sillion
Shine, and blue-bleak embers, ah my dear,
Fall, gall themselves, and gash gold vermilion.
By the time I worked my way through last month’s list I felt like I was drowning in testosterone, so I’ve kept this month’s list short and gentler.
‘Cider with Rosie’, by Laurie Lee (1959): is a memoir of the author’s childhood growing up in a village in the English Cotswolds in the years following World War One. These are no misery memoirs but neither does the golden glow of nostalgia entirely obscure the reality of a life in which it was perfectly acceptable for a house to flood every time there was a storm, education to consist of a rudimentary Three R’s delivered as well as they would ever be by the age of 14, and for a child to have eleven siblings, of which four were deceased. And that’s before we’ve even reached the superstition, murder, and suicides. Lee shares his memories with a warmth and humour which is irresistible even when his recollections are decidedly unsettling. Continue reading “On My Reading List: July 2017”→
This short piece was the theme music for the BBC’s ‘Chronicles of Narnia’ back in the 1980s. I loved the series, and consider it to be superior to the more recent movies because it was far truer to the books and therefore did a far better job of conveying the deeper meaning of Lewis’ works, rather than focussing on the visual appeal of special effects.
Geoffrey Burgon (1941-2010) was a composer of television and film scores whose best-known works include the scores for Monty Python’s ‘Life of Brian’ and ITVs ‘Brideshead Revisited’. He won BAFTAs for his themes for ‘Longitude’ and the remake of ‘The Forsyte Saga’. He was also a jazz trumpeter, and this was his original intended career. He eschewed the various musical trends of the 20th century in favour of more traditional styles and medieval influences. As a result he was dismissed by critics as ‘commercial’ – and popular with mainstream audiences like eight-year-old me who understood nothing of classical music but liked the pretty, hummable tune which heralded the latest instalment of a favourite show.
Recently the Significant Other treated me to an evening out in Palmerston North where we attended performances of Mozart’s and Fauré’s requiems. In classical music requiem, or more properly Requiem Mass, is a musical setting of the Catholic religious service offered for the souls of the deceased. Originally performed most often in the context of a funeral, the beauty of the music written for these services is such that requiems are often performed, as they were on this occasion, for their artistic value alone. Continue reading “Local Culture: The Palmerston North Choral Society performance of Requiems by Mozart and Fauré”→
Colin McCahon (1919-1987) is one of New Zealand’s most prominent artists. He was one of a group of artists who introduced Modernism into New Zealand, and is perhaps best-known for his large-scale works, often in muted, earthy tones or shades of black, white, and grey, which layered text over a background image.