It’s been a while since I had a local cultural experience to blog about, but my Significant Other’s birthday provided the perfect excuse to head along to the Wanganui Opera House and hear the New Zealand Air Force band in concert, performing music from, and inspired by, the stage and screen.
Continue reading “Local Culture: The Air Force in Concert at the Whanganui Opera House”
Opera Week was my first experience of opera (apart from one I went to in high school, which may or may not have been Bizet’s ‘Carmen’, and about which I can honestly remember absolutely nothing), but I’ve loved musicals since I was a teenager and have been fortunate enough to attend a number of them over the years. Opera and Musicals are two different things, but I started asking myself ‘where does that difference lie?’ Continue reading “Spot the Difference: Opera and Musical”
The twentieth century saw massive change in the world of classical music. One of the first composers to seize upon the advances in recording technology that it brought was the English composer Edward Elgar. In his lifetime he oversaw the recording, and in some cases as technology advanced still further re-recording, of many of his works. Between the ‘wireless’ and the gramophone, for the first time ever people didn’t have to go out to hear orchestral music, or have someone around who could play them the piano – all they needed was the requisite technology. Whereas once you might have heard a favourite piece only three or four times in your life – if you were lucky, and if the piece were popular – now you could play it over and over again to your heart’s content.
Saxophone, invented 1840
Modern drum kit, developed from 1880
Electric guitar, invented 1933
Synthesiser, invented in the 1960s, this example 1983
Continue reading “Classical Music: The 20th Century and Beyond”