Local Culture: Gilbert and Sullivan’s ‘Iolanthe’

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If Shakespeare’s ‘A Midsummer Night’s Dream’ and 1980s BBC political comedy ‘Yes, Minister’ had a baby, the result might well be something like Gilbert and Sullivan’s ‘Iolanthe’ (Eye-oh-LAN-thee). It’s a comic opera with a plot which is cheerfully ridiculous and punctuated by musical numbers. Continue reading “Local Culture: Gilbert and Sullivan’s ‘Iolanthe’”

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Opera in my Pyjamas: Wagner’s ‘Tristan and Isolde’

Wagner TandI posterI’ll be honest: I did not enjoy Tristan and Isolde. I tried. I really, really did. But I just didn’t like it. By the time it finally reached its conclusion, after four hours which felt like much, much longer, all I could think was ‘for pity’s sake, this would have been over a lot sooner if Brangane had just let you drink the effing poison to begin with.’

Having said that, the little I’ve read about Wagner and his operas, including Tristan and Isolde, has been more than enough to instil in me an appreciation of his work and what he was trying to accomplish. This is Art, with a capital ‘A’. Continue reading “Opera in my Pyjamas: Wagner’s ‘Tristan and Isolde’”

Classical Music: Beyond Romanticism

From the pre-Baroque up until the Romantic period, the history of classical music can be regarded as a pretty straightforward progression: with a little overlap as the avant garde raced ahead and the traditionalists lagged behind it goes Baroque 1600-1750, Classical 1750-1825, Romantic 1825-1875. Now it starts to get a little messy. Romantic music doesn’t simply disappear in the years following 1875 but continues to be composed even as other distinct styles enter the scene. Think of it as being a bit like popular music today. There’s pop. And there’s rock. There’s metal. Alternative. Dance. Trance. Hip-hop. Soul. Rhythm and Blues. I could go on, but you get the idea. Continue reading “Classical Music: Beyond Romanticism”