So closely linked are the names of William (W. S.) Gilbert (1836-1911) and Arthur Sullivan (1842-1900) in the minds of most that I figured there was no point in discussing them separately. But although their professional partnership was incredibly fruitful the two men, who had very different personalities, were never personally close. Continue reading “Composer Profile: Gilbert and Sullivan”
If Shakespeare’s ‘A Midsummer Night’s Dream’ and 1980s BBC political comedy ‘Yes, Minister’ had a baby, the result might well be something like Gilbert and Sullivan’s ‘Iolanthe’ (Eye-oh-LAN-thee). It’s a comic opera with a plot which is cheerfully ridiculous and punctuated by musical numbers. Continue reading “Local Culture: Gilbert and Sullivan’s ‘Iolanthe’”
Most famous as the ballet that started a riot at its premiere, ‘The Rite of Spring’ features music composed by Igor Stravinsky (1882-1971) and an original choreography by the dancer Vaslav Nijinsky (1890-1950). It represented a radical departure from both Stravinsky’s previous work and the ‘traditional’ ballet of pirouettes and tutus. In other words, it’s a Modernist work produced slightly too early – it premiered in 1913, at the very end of La Belle Époque – hence the riots. Continue reading “Ballet on the Sofa: Stravinsky’s ‘The Rite of Spring’”
Recently the Significant Other treated me to an evening out in Palmerston North where we attended performances of Mozart’s and Fauré’s requiems. In classical music requiem, or more properly Requiem Mass, is a musical setting of the Catholic religious service offered for the souls of the deceased. Originally performed most often in the context of a funeral, the beauty of the music written for these services is such that requiems are often performed, as they were on this occasion, for their artistic value alone. Continue reading “Local Culture: The Palmerston North Choral Society performance of Requiems by Mozart and Fauré”
The accusation that opera is utterly unrealistic is hard to apply to Benjamin Britten’s (1913-1976) 1945 work ‘Peter Grimes’. Loosely based on a narrative poem by George Crabbe (1754-1832) it’s a tale of small-town gossip and prejudice and its devastating effect on the life of the social outcast Peter Grimes. Continue reading “Opera in my Pyjamas: Peter Grimes”
The unquestionable musical genius of Frederic Chopin is perhaps most remarkable for the extreme narrowness of its focus: he composed almost exclusively for the piano, and none of his music fails to feature the instrument. Continue reading “Composer Profile: Frederic (Fryderyk) Chopin (1810-1849)”
This was another opera that I really did watch in my pyjamas, one Sunday night before a recent public holiday, because I get really wild on the weekends. It’s basically the story of Rosina, the teenaged ward of Bartolo, a doctor prone to fits of rage who is effectively keeping Rosina under house arrest until she’s of an age that he can marry her for her dowry. And, probably, the sex.
Possibly on the basis that almost anything is likely to be a more attractive option than marrying Bartolo, Rosina falls for the poor student Lindoro, who is really the young Count Almaviva, who has disguised himself in order to test Rosina’s love by concealing his wealth. Continue reading “Opera in my Pyjamas: Rossini’s ‘The Barber of Seville’ (1816)”
Seldom in the history of classical music has a name been linked so thoroughly in people’s minds with a particular style of music than the way Pyotr Ilyich Tchaikovsky’s name has been linked with ballet. Ask any layperson to name a ballet and the odds are fairly good that their answer will be one of Tchaikovsky’s most famous compositions – ‘Swan Lake’ (this link is to ‘The Dance of the Little Swans’, which is amazing) or ‘The Nutcracker’. Continue reading “Composer Profile: Pyotr Ilyich Tchaikovsky (1840-1893)”
With Christmas fast approaching I decided it was high time I watched the quintessential Christmas ballet: Tchaikovsky’s ‘The Nutcracker’, which was first performed in St. Petersburg in December 1892.
I elected to watch the 1993 Warner Brothers film version, and I rather suspect that this was a mistake. Continue reading “Ballet on the Sofa: The Nutcracker”
This short orchestral work was composed by George Butterworth (1885-1916) in 1913, and has become the best-known and most widely-performed of his small output. It’s a charming little work in the English Romantic tradition which is based on a number of folk songs, most notably a less-than-charming tale of a country lass who falls in love with a sailor, becomes pregnant and runs away to sea with him only to suffer a difficult labour. Dying, she asks her lover to throw her and the baby overboard, where they both perish. Continue reading “Treasure Trove: The Banks of Green Willow, by George Butterworth”