Seldom in the history of classical music has a name been linked so thoroughly in people’s minds with a particular style of music than the way Pyotr Ilyich Tchaikovsky’s name has been linked with ballet. Ask any layperson to name a ballet and the odds are fairly good that their answer will be one of Tchaikovsky’s most famous compositions – ‘Swan Lake’ (this link is to ‘The Dance of the Little Swans’, which is amazing) or ‘The Nutcracker’. Continue reading “Composer Profile: Pyotr Ilyich Tchaikovsky (1840-1893)”
With Christmas fast approaching I decided it was high time I watched the quintessential Christmas ballet: Tchaikovsky’s ‘The Nutcracker’, which was first performed in St. Petersburg in December 1892.
I elected to watch the 1993 Warner Brothers film version, and I rather suspect that this was a mistake. Continue reading “Ballet on the Sofa: The Nutcracker”
From the pre-Baroque up until the Romantic period, the history of classical music can be regarded as a pretty straightforward progression: with a little overlap as the avant garde raced ahead and the traditionalists lagged behind it goes Baroque 1600-1750, Classical 1750-1825, Romantic 1825-1875. Now it starts to get a little messy. Romantic music doesn’t simply disappear in the years following 1875 but continues to be composed even as other distinct styles enter the scene. Think of it as being a bit like popular music today. There’s pop. And there’s rock. There’s metal. Alternative. Dance. Trance. Hip-hop. Soul. Rhythm and Blues. I could go on, but you get the idea. Continue reading “Classical Music: Beyond Romanticism”