Opera in my Pyjamas: Verdi’s ‘Aida’ (1871)

A wet and windy Saturday morning provided the perfect excuse to curl up in front of an opera, and this time I decided to go with one of the acknowledged masterpieces of the great anti-Wagner, Giuseppe Verdi (1813-1901), Aida.

Triumphal March with acrobats. Because acrobats are cool.

Commissioned for the new opera house in Cairo in 1870, Aida was first performed in 1871. Set in Ancient Egypt against the background of ongoing military conflict between Egypt and the rival kingdom of Ethiopia, the story centres on the tragic romance between a captured Ethiopian princess, Aida, and the captain of the Egyptian guard, Radames. To be on the safe side I will at this point state that slavery, and specifically the enslavement of Black (Ethiopian) Africans, is central to the plot, and anyone who finds this distressing should probably avoid this opera and the rest of this post, which will include a plot summary. Continue reading “Opera in my Pyjamas: Verdi’s ‘Aida’ (1871)”