Glory, Hallelujah

What We Do In The Shadows
New Zealand mokumentary What We Do In The Shadows plays an extensive excerpt from Vivaldi’s ‘Gloria’ when the human Stu wins over the vampires.

It happens most often in comedy movies. The protagonist has just had an epiphany (or pseudo-epiphany), found the plot-relevant object or achieved an important goal, and their success is greeted with the sound of an angelic choir and perhaps a ray of heavenly light.

In order to really hammer home the importance of the moment (and because they are well and truly in the public domain) movie-makers often fall back on excerpts from two instantly-recognisable pieces of stock music to convey the significance of this moment.

The first is Vivaldi’s ‘Gloria’ . The second is the ‘Hallelujah Chorus’  from Handel’s Messiah. Continue reading “Glory, Hallelujah”

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