“God is dead.” The man who penned what is quite possibly the most famous line in the history of philosophy does not appear to have done so lightly, or with glee. This may be because he recognised that without a concept of the divine, humanity is as good as it gets… A brilliant intellectual plagued by ill health he suffered a complete mental collapse at the age of 44, from which he never recovered. Continue reading “Philosopher Profile: Friedrich Nietzsche 1844-1900”
Most famous as the ballet that started a riot at its premiere, ‘The Rite of Spring’ features music composed by Igor Stravinsky (1882-1971) and an original choreography by the dancer Vaslav Nijinsky (1890-1950). It represented a radical departure from both Stravinsky’s previous work and the ‘traditional’ ballet of pirouettes and tutus. In other words, it’s a Modernist work produced slightly too early – it premiered in 1913, at the very end of La Belle Époque – hence the riots. Continue reading “Ballet on the Sofa: Stravinsky’s ‘The Rite of Spring’”
The space above the local information centre acts as an extension of the public art gallery, currently located across the road while earthquake-strengthening work is carried out on the original building, constructed in 1919 (earthquake strengthening is a national obsession at the moment due to the devastating effects of two severe earthquakes in the last six years. The local museum is also closed, and the local opera house reopened last year after it was strengthened. But I digress).
Currently on display is a selection of ceramic work by Maori artists. Pottery and ceramics were introduced to New Zealand by European settlers in the 1800s, and it wasn’t until the 1980s that they really caught on among Maori artists, but as this exhibition shows the results have been marvellous. Continue reading “Local Culture: Whenua Hou: New Maori Ceramics”
Rita Angus (1908-1970) is well-known in New Zealand for her clear, sharp-edged portraits and landscapes, including ‘Cass’, which was voted New Zealand’s favourite painting in a 2006 TV show. Rather than talking about her, I’m just going to show you a few of her paintings. Continue reading “New Zealand Artist: Rita Angus”
Acknowledged along with James Joyce as one of the foremost Modernist writers, and by Simone de Beauvoir as one of the few female writers to have explored what she referred to as “the given” – the assumptions made about what a woman ‘is’ – Virginia Woolf is best-remembered today for a handful of her most prominent novels, but during her lifetime was also a noted essayist and critic.
She was born in London on the 25th of January 1882, into an upper middle class family with strong literary and artistic connections. Continue reading “Author Profile: Virginia Woolf (1882-1941)”
The last weekend in March and the first weekend in April saw the return of Artists Open Studios, a highlight of the Whanganui artistic calendar during which local artists open their studios to members of the public. This year almost eighty studios and over a hundred artists participated, so I was rather glad when the Significant Other (who hadn’t ‘done’ AOS before) went through the artists catalogue and highlighted a dozen studios which particularly interested him, as it spared me the agony of trying to decide. I did, however, insist on a visit to the studio of my favourite local artist, Tina Drayton. Continue reading “Local Culture: Artists Open Studios 2017”
My latest area of exploration is the classics of theatre and, as with opera and ballet, I’m using the internet to compensate for the lack of conveniently live performances. My first ‘outing’ is Waiting for Godot, a play by Samuel Beckett (1906-1989), which premiered in 1953.
It’s a play where nothing happens. The two main characters, Vladimir and Estragon, are waiting for Godot. He did not come yesterday. He will not come today. But tomorrow, assuredly, he will come. Except that that’s the way it was yesterday, and the day before that, and, odds are, the way it will be tomorrow, and the day after, and the day after… Continue reading “Playtime: ‘Waiting for Godot: a tragicomedy in two acts’ by Samuel Beckett”
Following my recent post on the history of poetry I’m starting a new series of posts along the same lines as my Paintings You Should Know series – ‘Poems You Should Know’. Much like the painting series I’m not planning on following a particular chronology or providing deep analysis; I’ll simply be sharing significant poems.
So here’s my first offering, ‘The Waste Land’ by T. S. Eliot (1888-1965). It’s a Modernist work full of literary allusions. Continue reading “Poems You Should Know: ‘The Waste Land’ by T. S. Eliot”
It’s been a while since I had a local cultural experience to blog about, but my Significant Other’s birthday provided the perfect excuse to head along to the Wanganui Opera House and hear the New Zealand Air Force band in concert, performing music from, and inspired by, the stage and screen.
“Tell me about Danny,” (not his real name, obviously), the social worker said.
I smiled. “You know how we’re not supposed to have favourites?” I told her. “Well, he’s one of the favourites that I officially don’t have.”
Danny was a kid with a lot of challenges, but he was lucky: he had mum firmly on his side, determined to get him the help he needed. Not all kids are so fortunate, a subject which the social worker and I touched upon before she left. Modern British poet Philip Larkin captured this reality all too well in his funny, offensive (the f-word, so don’t click ‘Read More’ if that’s something that will offend you), and heart-wrenching poem ‘This Be The Verse.’ Continue reading “Random Poem: ‘This Be The Verse’ by Philip Larkin”