Rita Angus (1908-1970) is well-known in New Zealand for her clear, sharp-edged portraits and landscapes, including ‘Cass’, which was voted New Zealand’s favourite painting in a 2006 TV show. Rather than talking about her, I’m just going to show you a few of her paintings. Continue reading “New Zealand Artist: Rita Angus”
Colin McCahon (1919-1987) is one of New Zealand’s most prominent artists. He was one of a group of artists who introduced Modernism into New Zealand, and is perhaps best-known for his large-scale works, often in muted, earthy tones or shades of black, white, and grey, which layered text over a background image.
While popping away the wine from my weekly shop recently I noticed that my very modest six-space wine rack was, for the very first time, completely full of bottles of wine. On closer examination I was rather pleased to realise that I had what I think passes as a well-balanced selection. Continue reading “In My Wine Rack”
Earlier this month work sent me to a conference in Auckland. This isn’t something which would normally make the pages of this blog – which I intentionally keep quite separate from my working life – except for the fact that the conference in question was being held at the Ellerslie Events Centre in Auckland. The hotel at which I was staying was about five minutes’ walk away, and in between lay something which I’d longed to visit ever since I first heard of it – the Pop Up Globe. Continue reading “Shakespeare at the Pop Up Globe”
First produced in 1957, New Zealand play The Pohutukawa Tree by Bruce Mason, tells a similar story to that of Patricia Grace’s Potiki. It’s the story of a proud matriarch, Aroha Mataira, the widowed heir to the chieftainship of the Ngati Raukura tribe and the mother of the last Maori family living on their traditional lands at the small township of Te Parenga. The rest of the tribe have long since sold their land to the Atkinsons, the Pakeha (White) landholding family who have dominated the area for three generations, and Mrs. Mataira and her two children, Johnny (18) and Queenie (17) work for the Atkinsons. Continue reading “Local Culture: The Pohutukawa Tree”
The last weekend in March and the first weekend in April saw the return of Artists Open Studios, a highlight of the Whanganui artistic calendar during which local artists open their studios to members of the public. This year almost eighty studios and over a hundred artists participated, so I was rather glad when the Significant Other (who hadn’t ‘done’ AOS before) went through the artists catalogue and highlighted a dozen studios which particularly interested him, as it spared me the agony of trying to decide. I did, however, insist on a visit to the studio of my favourite local artist, Tina Drayton. Continue reading “Local Culture: Artists Open Studios 2017”
Thus far in this project I’ve rather neglected New Zealand literature, so I thought I should pay it some attention. Doubly rooted in the rich oral tradition of the indigenous Maori people and the equally rich literary tradition of Britain and Europe, New Zealand offers a great deal that is worth paying attention to. The following is little more than a taster of works by some of our most celebrated writers, arranged in chronological order. Continue reading “New Zealand Literature”
February has been a quiet month for me, reading-wise. I’m well behind in my annual Bible read, which is a situation I must rectify during this Lenten season. I have, however, completed the four Shakespeare plays I mentioned back in January. Perhaps it’s having slogged through the Canterbury Tales last year, but I’m finding Shakespeare much easier to read these days. Still not easy, mind you, but easier. These are the other things I’ve been reading: Continue reading “On My Reading List: February 2017”
It’s been a while since I had a local cultural experience to blog about, but my Significant Other’s birthday provided the perfect excuse to head along to the Wanganui Opera House and hear the New Zealand Air Force band in concert, performing music from, and inspired by, the stage and screen.
Something a little different today: follow this link to a recent article by New Zealand’s NewsHub on Ta Moko (facial tattooing), including a brief history of ta moko in New Zealand and a video where Maori people with ta moko discuss the significance of the art in contemporary Maori culture and their own lives.
Originally posted to mark Waitangi Day 2017 (the New Zealand public holiday celebrated annually on February 6th to mark the signing of the Treaty of Waitangi between representatives of Maori tribes and the British crown), it’s definitely well worth checking out.
Let me know what you thought.