Bach, J. S. (to distinguish him from the many other composers in a ridiculously talented lineage that included two of his own sons) is today recognised as one of the greatest composers in history, having produced music in every genre of the Baroque with the sole exception of opera. For many years, however, he was something of a composer’s composer, his Well-Tempered Clavier a foundational necessity for anyone intending to master any of the keyboard instruments, but much of the rest of his repertoire sadly neglected. Continue reading “Composer Profile: Johann Sebastian Bach (1685-1750)”
A Roman Catholic in fiercely Protestant England; the son of a tradesman pursuing upper-middle-class interests in a determinedly class-based society; a self-taught composer at a time when formal musical education was considered essential; and a composer in the Romantic and Nationalist traditions as the 20th century turned its musical ear towards Atonality, Minimalism, and the many and varied forms of ‘Popular’ music – Edward Elgar seems to have lived much of his life as an outsider.
Yet it was Elgar who, in spite of his relatively meagre output (around fifty works, including only two symphonies), brought English classical music back onto the world stage after some two hundred years spent languishing in the shadow of the great Continental composers. Continue reading “Composer Profile: Edward Elgar (1857-1934)”